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A few weeks ago, at Rather Biased, I came across a story about a CBS News
producer who’d been fired, “CBS Fires Trigger-happy Producer.” “So, they
finally got around to Mary Mapes,” says I. No such luck. The tarnished Tiffany
network had unceremoniously dumped a news producer for interrupting a broadcast
of its popular new crime series, CSI: New York,
for a report on the death of Arab terrorist Yasser Arafat. It seems while
honesty in reporting counts for little at CBS these days, hot entertainment
properties are sacred.
The November 13
Rather Biased dispatch follows:
Friday both Reuters and Broadcasting and Cable
magazine reported that CBS has fired the producer it blamed for preempting
the network's popular CSI: New York show to announce the death of Palestinian
leader Yasser Arafat. According to Reuters,
the yet-to-be-named female producer ignored “explicit, advance instructions”
that the official news of Arafat's death was not to interrupt regular programming.
She also allegedly ignored CBS standard procedures which require the consent
of a News Division executive to sign off on all such preemptions. The former CBSer is said to have been a producer at the network's insomniac news program Up to the Minute, which is used as a proving ground for young and inexperienced staffers.
The firing is the second step the Viacom-owned web has taken to atone for its sin against its hot property CSI. Earlier in the week, CBS posted a message of apology on its web site and emailed a similar one to its affiliates.
While
the network's decision to apologize and fire the offending producer has raised
eyebrows of some viewers, we suspect that most people would support the decision
given that the news of Arafat's passing was not exactly a top concern of
Americans -- particularly of those who had deliberately avoided the cable
news death watch by watching an entertainment show. Like many of our readers, however, we do wonder why the preemption of CSI
is an immediate firing offense at CBS while deliberately ignoring warnings
about forged documents in a blockbuster story is not.
Granted,
the producer had violated a direct order not to interrupt the show without
the permission of a superior officer. TV executives may have contempt for
the military chain of command, but have zero tolerance for insubordination
on their own turf.
Mary Mapes is the CBS News producer who most recently brought us the
Abu Ghraib and Rathergate
stories. The Abu Ghraib story presented American soldiers in charge of a
section of the Abu Ghraib military detainee facility reserved for terrorists,
as if they were torturers and war criminals. The story, which was reported
separately by Mapes for CBS News and Sy Hersh for the New Yorker,
represented in both cases an instance of defining journalistic deviance down.
Hersh and Mapes both sought to recreate the scandal of Vietnam’s My Lai massacre,
but without the massacre. This is what happens when journalists go from seeing
themselves as patriots supporting America, as they did in World War II, to
seeing themselves as revolutionaries, destroying her, as they have since
the War in Vietnam. If FDR had had to put up with the likes of Mapes and
Hersh, today we’d be speaking German.
In Rathergate, Mapes used forged documents in an attempt to cost George W.
Bush re-election, by presenting the then-Texas Air National Guard officer
as a shirker, as insubordinate, and possibly even a deserter who succeeded
only through the intervention of powerful friends.
Mapes’ source for the forgeries, Bill Burkett, a former Texas Air National
Guard lieutenant colonel with a longtime, public grudge against the Bushes,
argued in his defense that he did not seek out Mapes; she sought him out.
(Burkett has also denied that he produced the forgeries, though no one has
been able to find the mystery woman that, he claims, gave them to him.) At
the time, CBS claimed Mapes had been “working on” the story for five years,
yet she had nothing to show for it, prior to Burkett giving her the forgeries.
And in spite of CBS News’ document experts having doubts about the documents’ authenticity, Mapes rushed the story onto the air four days later.
The September 19 New York Times quoted Mapes’ executive producer, Josh Howard as saying,
Mary
Mapes told us her source made her completely confident about where they came
from, and that they were authentic, and that made me confident...
In
an earlier, pre-TV era, Mary Mapes would have been fired for even suggesting
the Abu Ghraib story to a major newspaper’s editor. Prior to the War on Terror,
it was unheard of to take minor excesses and seek to impugn and risk the
lives of America’s soldiers, let alone to seek with a hoax to cost a wartime
president the White House. And yet, prior to Rathergate, inside CBS News,
Mapes was one of the division’s most respected producers.
(There is, however, an earlier case of the media seeking to cost a wartime
president the White House with a true story -- the Pentagon Papers case from
1971, involving Pentagon official Daniel Ellsberg, the Washington Post, and the New York Times
during Richard Nixon’s first term of office. Ellsberg broke the law, in leaking
classified documents to the above-named newspapers. The same members of the
socialist mainstream media (SMSM) who consider Ellsberg a hero for his leaks,
have sought to have White House officials imprisoned for legally informing
columnist Robert Novak that the wife of Nigergate fraud Joseph C. Wilson
IV, Valerie Plame, is a CIA employee.)
Jailhouse Rock
You may be wondering if perhaps Mapes’ misconduct was the product of an anti-Bush
newsroom hysteria that gripped the SMSM during the 2004 campaign. After all,
she couldn’t possibly have been so respected at CBS News, if she had a history of dishonesty … could she?
Well. As Fox News reporter Brian Wilson revealed
on September 22, Mapes had been reprimanded three years earlier by J.E. Gunja,
the warden of the federal prison in Florence, CO, and stripped of her journalistic
privileges regarding prisoner Peter Langan. In
the letter, Warden J.E. Gunja spells out a scheme in which Mapes agrees to
help secretly pass information between convicted white supremacist Peter
Langan and another federal prisoner.
“Phone
monitoring reveals that you agreed to this request ... This investigation
was based, in part, on inmate Langan's admission to this attempt,” Gunja
wrote.
“Your attempted misuse of the special mail privileges placed members of the public at risk,” the letter reads….
Mapes
may have seen what she did in Colorado as merely cutting a deal with the
prisoners, in exchange for access. Apparently, it didn’t occur to her, that
federal prisons are not her personal playgrounds. Had the information that
Mapes passed between Langan and the other white supremacist been part of
a criminal conspiracy, she would have been an accomplice. Heck, she could
have been prosecuted, in any event. And had an ordinary American been guilty
of the same offense, I can assure you, he’d have ended up in the dock, answering
federal criminal charges.
Note that, following the same m.o. as in Colorado, Mapes gave Rathergate
hoaxer Bill Burkett access to DNC flack Joe Lockhart, in exchange for Burkett’s
“documents.”
Now, Mapes has gone too far, even for an era which has seen the mainstreaming
of treason. The only way to really unearth the Rathergate story, will be
for a federal prosecutor to subpoena Mapes, Burkett, Lockhart, CBS News anchor Dan Rather, CBS News
chief Andrew Heyward, DNC chairman Terry McAuliffe and perhaps others, in
a criminal probe. Since Mapes and Rather were involved -- willingly or no
-- in a felony (the attempt to subvert an election through fraud), they can
no longer hide behind the First Amendment.
The Producer as News Auteur
Producers are arguably the most powerful figures in TV news magazine journalism;
they decide what stories are run, and they usually research and write them.
Because of their status and behind-the-scenes role, they have either not
been reported on, or have been presented as heroes (e.g., former 60 Minutes producer Lowell Bergman in the movie, The Insider). Mary Mapes should change all of that.
In a richly informative yet succinct article in the September 27 Chicago Tribune, “The Dirty Little Secret of TV Newsmagazines,” John Cook interviewed longtime TV news pros on the role of the producer on TV news magazines like CBS’ 60 Minutes, ABC’s 20/20 and Prime Time Live, NBC’s Dateline, etc.
“Producer
is one of the most ambiguous terms in television news,” said Mark Feldstein,
a professor of media and public affairs at George Washington University and
former investigative producer for NBC News and on-air reporter for CNN. “The dirty little secret of television newsmagazines like 60 Minutes
is that the producer is really the journalist who does all of the important
editorial work. The on-air correspondents at these prime-time newsmagazines
are largely front people. They parachute into the story.”
News stars like Dan Rather, Mike Wallace, et al.,
then are essentially actors in a drama created by a producer who functions
like the movie director of auteur theory who has total creative control over
a picture. And I mean, creative. “It's really a misnomer,’ said Tom Yellin, a former ABC News
producer who now heads up Peter Jennings' production company. “You're really
talking about producer-director-reporter-writer-researcher.”
Feldstein
observed that the producer conducts most of the interviews, and Cook noted
that the producer will usually write the script that the “reporter” reads
aloud to the audience.
Rathergate was, however, an exception to the rule. As the Wall Street Journal’s John Fund wrote on October 4,
Mr.
Rather has acknowledged that he was deeply invested in the story, and when
he learned Ms. Mapes had gotten the documents from Bill Burkett, a controversial
former National Guard lieutenant colonel, he asked Mr. Heyward to take charge.
In an interview with the New York Times,
Mr. Rather quoted himself as telling Mr. Hayward [sic], “I have to ask you
to oversee, in a hands-on way, the handling of the story.” According to Mr.
Rather, “He got it. He immediately agreed.”
Rather
and Heyward supported the story, based on their long acquaintance with Mapes,
and their respect for her professionalism and character. Let’s get better
acquainted with that professionalism and character.
Same as She Ever Was
Mary Mapes got her start in the news business at CBS’ Seattle affiliate,
KIRO. One of her early stories involved a 1987 police shooting of a black
drug dealer. As John Fund chronicled,
The
[Erdman] Bascomb shooting angered many people in Seattle, and officials quickly
organized an inquest. Then KIRO aired an incendiary story titled “A Shot
in the Dark,” in which a previously unknown witness named Wardell Fincher
accused the cops involved in the raid of lying. He said he saw officers arrive
at the house, burst in with no warning and shoot Bascomb, who might not have
even known the intruders were cops. The story shifted to possible criminal
wrongdoing by the police. Mr. Fincher was summoned to the inquest, and previous
witnesses recalled. The reporter for the sensational segment was Mark Wrolstad,
now a reporter with the Dallas Morning News. The producer was his wife, Mary Mapes.
Fortunately for the cops, Mr. Fincher wasn't the only one at the scene of the raid that night. A reporter for the Seattle Post-Intelligencer,
Mike Barber, was tagging along with officers. Mr. Barber observed the officers
arriving at the house, knocking, announcing themselves and then entering.
He was there when the shooting happened and when the ambulances were summoned.
At that point, a man ‘reeking of alcohol’ walked out of some nearby bushes
and approached him. He wanted to know what had just happened. That was Wardell
Fincher. But Mr. Fincher wasn't thoroughly checked out, so all this came
out after the story aired. The police were eventually cleared but it took
years and an unsuccessful civil-rights lawsuit by the Bascomb family to undo
the damage. By
that time, Ms. Mapes had left Seattle, and no one I talked with who worked
at KIRO at the time can recall her being disciplined in any way for her mistake.
Instead, in 1989 she was fast-tracked to the CBS Evening News and later became Mr. Rather's hand-picked producer on 60 Minutes.
“Maybe the National Guard mess would never have happened if she had been
handled properly back then,” says one former KIRO reporter who still admires
her work ethic and ability to break stories.
The admiring former KIRO reporter’s attempt to find positives in Mapes’ career reminds me of the rationalizations some New York Times
staffers gave for the rise of Jayson Blair, because he supposedly “broke
stories.” Frauds like Jayson Blair and Mary Mapes don’t “break” stories,
they make them up. That Mapes not only wasn’t disciplined (much less, fired)
for “A Shot in the Dark,” but was apparently “fast-tracked” based on it,
speaks volumes about CBS’ Seattle outfit, Dan Rather, and the News Division at CBS’ national headquarters at “Black Rock” in New York.
Let’s see what some bloggers had to contribute regarding Mary Mapes’ professionalism and character (a tip of the hat to Michelle Malkin).
Random Nuclear Strikes:
On
Friday of last week, Seattle's own John Carlson, of KVI 570 fame, got wind
that Mary Mapes was involved in this latest crapfest [from] the MSM aimed
at GWB. Mapes
is from the Seattle area and has worked in the local media. She worked at
the same broadcasting station [KIRO] as Carlson did in the early 1990's,
and Carlson shared some anecdotal stories of having to deal with Mapes as
a co-worker on a day to day basis. Let's just say that the stories weren't pretty. But they were funny.
Mapes
thought of Reagan and GHWB were evil incarnate and said so on several occasions.
When confronted with evidence of a mistruth spoken during a water cooler
debate or pertaining to a mistake she had made in reporting a story, her
usual MO was to say "oh well" and walk away.
AnalogKid at Random Nuclear Strikes:
I
remember Mapes as a race baiting reporter who specialized in waiting until
the local NAACP officials released a statement about police shootings and
then start demanding what she called "justice" in her own special way. Anywho,
if she thought GHWB was evil incarnate, it isn't a stretch to think that
she'd go anywhere or do anything to kick evil's son out of the White House...
You
have to bear in mind, that there are thousands of Mary Mapeses in the SMSM,
destroying people’s lives for the sake of power, money, prestige, and the
desire to bring down America. Every time I hear the euphemism “liberal bias,”
my blood pressure goes up ten points. We’re talking about Marxists here,
folks.
The first time I personally experienced a reporter seeking to destroy the
life of a white cop for shooting a black man (for risking his life against
a shotgun-wielding bad guy, in defense of a black neighborhood, not that
the white, female, Marxist reporter gave a damn), was in 1975. Eventually
the hero cop was set up, and beaten almost to death. In that case, just as
Mary Mapes would do in 1987 in Seattle, and in 2004 on 60 Minutes,
the reporter had published vicious, baseless claims that came from sources
lacking any credibility. And as in Mapes’ case, the stories were not the
sort of unintentional tragedies that befall even the best reporters from
time to time, but rather the products of journalistic malice and contempt
for the truth, better known by the euphemism, a desire for “justice.”
How many times have we seen the same scam by a reporter since then? Hundreds?
Thousands? Every time you read a story or see one on TV, in which a reporter
is trying to get an innocent cop lynched, or perpetrating some other sort
of race or political hoax, keep in mind: There goes another Mary Mapes.
Perhaps the worst indictment of Josh Howard, Dan Rather, and Andrew Heyward,
is that they had confidence in, and respected Mary Mapes.
Ruthlessness ain’t Always Bad
Mary Mapes is clearly a ruthless individual, and yet, merely being ruthless
is not in itself a vice in the news business. In fact, it is a virtue, if
you want to read and see great true stories. Otherwise, you’d have to shut
down all news media.
The public’s discontent with the media is not monolithic; it has several
roots. One root is the dominant SMSM’s leftwing bias and increasing practice
of fraud. Another is the related but not identical feeling that the media
have contempt for the predominantly Christian folks in “flyover country”
between the media subculture’s landing zones in New York, Washington, DC,
and Los Angeles. Though Republicans would have you believe that such contempt
is limited to the SMSM, I think much of the Republican mainstream media (RMSM)
is guilty of it, as well. (Like “Middle America,” “flyover country” is more
a mythic or symbolic than a geographic notion, anyway. To media types, places
like Queens and upstate New York are also “flyover country.”) A third, related
source of discontent arises from journalists’ ruthlessness in joyfully destroying
the lives of ordinary people.
The problem in journalism isn’t ruthlessness per se, but what kind
of ruthlessness. Sources do not just appear on a journalist’s doorstep every
morning, dying to blow the whistle on corruption. A journalist who can’t
cultivate sources, won’t report many great or even good stories. And most
people’s complaints about the media notwithstanding, they WANT those stories.
Big stories entertain readers and viewers, elevate their feelings of superiority
over the “bad guys,” permit them to feel pity (i.e., more feelings of superiority)
for the “victims,” feel fortunate (“There but for the grace of God go I”),
give them something to talk about with family, friends, and colleagues, and
help them make sense of the world. Briefer, blood-and-guts stories fulfill
the same function, though not as powerfully. As the TV news saying goes,
“If it bleeds, it leads.” Again, while many people complain about bloody
crime stories on the news, put on a bloodless news broadcast, and see how
many people tune in. And as for the Sunday school ethics lectures by
journalism professors, ask them how many stories they’ve broken.
Let’s look at some ruthless but honest reporters, from journalism’s past.
My Kind of Town, Chicago is …
In Richard Ciccone’s biography of the legendary Chicago columnist, Mike Royko: A Life in Print,
Ciccone tells a succinct yet vivid history of the hard-charging, hard-drinking,
violently competitive tradition of Chicago newspapering that Mike Royko (1932-1997)
in many ways embodied, and which may have died with him. Newsmen
often participated in investigations rather than reporting on them. When
a fugitive wanted for murder in Illinois was captured in Wisconsin, the Examiner
reporter at Chicago Police Headquarters notified his desk that the cops were
taking their time selecting a team to go collect the suspect. The Examiner
sent its own team, which arrived at the small Wisconsin jail, flashed a few
phony badges, picked up the murder suspect, returned him to a Chicago hotel,
and had his interview all over page one the next day. Only then did they
turn him over to police. When
the first “Crime of the Century” took place in 1924, two brilliant University
of Chicago students, Nathan Leopold and Richard Loeb, were the key suspects.
Police took them along the route the young victim, fourteen-year-old Bobby
Franks, had walked the night he disappeared only to be found the next day
bludgeoned to death, his naked body dumped near a railroad culvert. In the
car with the suspects and police were two Daily News reporters, who did most of the interviewing.
A
sensational murder did not have to take place in Chicago for Chicago newsmen
to scoop the world. Two of the “telephone” legends of American journalism
worked for the Hearst papers. In 1934, Harry Reutlinger, city editor of the
American,
telephoned America’s greatest hero, Charles Lindbergh, at his Hopewell, New
Jersey, estate and became the first reporter in the country to verify that
the aviator’s infant son had been kidnapped and that a ransom note demanded
$50,000 for his return. No one knew how Reutlinger got Lindbergh on the telephone.
He may have said he was [President] Franklin Roosevelt. A few years later,
Reutlinger got a big beat when he made a ship-to-shore call to the burning
luxury vessel Morro Castle off the New Jersey coast. Identifying himself
as the owner, he convinced a young steward to supply him with all the details
of the fire and had an exclusive in print before the New York papers, which
were only a few miles from the scene. Reutlinger
posed as a policeman, a sheriff, a coroner, or anyone else who could help
him get the story. His successes were remarkable, because on another floor
of the Hearst Building at 326 West Madison Street was an even more practiced
telephone magician, Harry Romanov, the Examiner city editor.
Collier’s Magazine
named Romanov as the world’s greatest telephone reporter. Once he posed as
the police commissioner and got through to a hospital where several dead
and injured had been taken. The man who answered the phone provided all the
details Romanov asked for and then said, “If you will get a paper and pencil,
I’ll give you names, ages, addresses, and extent of injuries of all concerned.”
Romanov was so astonished at the degree of cooperation he was receiving that
he blurted, “Who is this anyway?” “Police Commissioner Fitzmorris, Romy. I knew you’d be calling.”
Is This the End of Mary?
Any day now, the CBS News internal Rathergate report will be completed
and read by the executive suits in the executive suites at CBS’ “Black Rock”
fortress. When Rathergate became a full-blown scandal, CBS appointed former
U.S. Attorney General and liberal GOP Pennsylvania governor Dick Thornburgh,
and former Associated Press chief, Louis Boccardi, to investigate the matter. When the report comes out, Mary Mapes will likely be fired.
As Rather Biased reported on December 7, in “Mapes’s Last Stand,”
Mapes
has been acting very much to save her professional skin, writing up a 68-page
statement in her own defense and repeatedly lobbying the commission to persuade
it of her view that the documents which she obtained from a Texas Democrat
with a history of mental problems could be true in spirit, if not in fact.
She’s
still arguing that the story is ‘fake but true.’ After five years of allegedly
working the story! What do detectives always say? “Criminals are creatures
of habit.”
To reiterate, what makes Mary Mapes bad news is not her ruthlessness, but
her willingness to hype stories (Abu Ghraib) she has no business telling
in the first place, and (the 1987 drug shooting, the Rathergate hoax) her
willingness to spread lies, in order to harm those she hates.
And the problem with the Mary Mapeses of the world is not limited to the
phony stories they broadcast, but the countless true stories they squelch
or ignore.
Dan Rather has announced that he will retire as evening news anchor on March
9, his 24th anniversary on the job as Walter Cronkite’s successor; pc understudy
John Roberts is Rather’s likely successor. Andrew Heyward, who will most
likely be fired along with Mapes, will then be replaced by one of the usual
suspects, possibly Jeff Fager, who vouched for Mary Mapes’ character.
And now, we return to our regularly scheduled program.
New York-based freelancer Nicholas Stix has written for Toogood Reports, Middle American News, the New York Post, Daily News, American Enterprise, Insight, Chronicles, Newsday and many other publications. His recent work is collected at The Critical Critic.
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